John Hunt: What if you could capture an audience by eliminating them?

October 21, 2010

Human Trafficking, with no formal legislation to counter it, is still a major problem in Southern Africa. So in places where trafficking is most common – impoverished urban slums – the Southern African Counter-Trafficking Assistance Programme (SACTAP) and TBWA\Hunt\Lascaris constructed tunnels made of false walls that precisely matched the real walls behind them. This created a startling optical illusion.

When people walked through them they literally disappeared. Placed to the side of the fake wall was a bold message that read, “Up to 4 million people disappear every year,” with a phone number to report human trafficking. It proved to be the ultimate wake-up call as onlookers watched young children vanish before their eyes. More importantly, the national media took up the cause, creating massive awareness on TV, radio and hundreds of online sites. Getting noticed sometimes means disappearing.

For any comments or suggestions, send an email to Ulrich Proeschel.

Share
Categories : Great Stuff

TBWA unveils Projeqt, its newest Media Arts project – a device neutral platform for showing creative work

October 19, 2010

In it‘s online edition Contagious Magazine reported about the newest Media Arts project by TBWA Worldwide: a device-neutral platform for showing creative work and a step forward in agency-led software development.

The agency revealed earlier this week Projeqt, “a CMS system it’s calling a ‘creative storytelling platform’, enabling people to display content in a slideshow style, sort of Slideshare-meets-Cargo,“ as Contagious puts it.

After being briefed to build a new website for TBWA, a website that runs on multiple mobile devices like the iPad or the iPhone, using HTML5 rather than following the convention among agency web-presences of using Flash, TBWA wanted to do something more disruptive. TBWA wanted not only a new website. David Lee, the Digital Executive Creative Director at TBWA Worldwide said in an interview with Contagious: “We also wanted our site to give something back to the creative community and add value. People don’t visit agency sites on a regular basis so you need to give them a reason to come back. We didn’t want to create another brochure site or an agency blog, but a service that people will use and enjoy.“

Contagious concludes: “Given the success of platforms like Tumblr and Blogger, Projeqt stands out as one of the more immediately feasible spin-off businesses to come from agency land, with the weight of a network of early adopters built in.“

Check out the new tbwa.com build with Projeqt.

http://projeqt.com/

Share

LET´S START SEEING MARKETING TOOLS AS MARKETING TOYS

October 14, 2010

In a recent conversation in Berlin, Stefan Schmidt, Creative at large Europe at TBWA, talked briefly about the relationship between creativity and marketing.

I believe that we could easily enhance the effectiveness of even our most traditional marketing tools.

All classically-trained marketing personnel have to do is ensure that the craziest people from the marketing department are working with them. Or better still: urge the creatives not just to work, but to play with traditional marketing approaches.

Examples like ABSOLUT, Nissan and Apple show that when right-brain people can get their hands on everything –packaging, pricing, distribution, product design, website architecture – the success of these brands seems unstoppable.

Every point of contact between a brand and its audience is media. That’s why everything should be treated in the same inspired, artful manner as the most established communication methods. Like advertising, for example.

If you have any comments or suggestions please email Stefan Schmidt.

Share

LEE CLOW ON THE ART OF MEDIA

October 8, 2010

TBWA’s top creative says brands must resonate emotionally across media or face the consequences.

A year ago, Lee Clow gave up the title of Chairman and Global Creative Director of TBWA Worldwide and designated himself Worldwide Director of Media Arts. In his first major interview since adopting the new role, he explains why brands must take an emotional approach to communications.

Lee warns that brands face becoming “irrelevant” or even “the focus of online contempt” if they fail to express a consistent identity every time they come into contact with consumers, whether it’s via advertising, packaging or the store experience.

“Finding the disruptive idea for a brand, which usually comes out of its emotional centre, and which we call the ´brand belief`, is the first step to creating a powerful multimedia brand”, he explains.

It used to be very simple.

Brands did advertising: they talked at people; they bought television commercials and held you captive. Now they must interact with their audience in a multifaceted but coherent way.

Everything a brand does is basically a medium and a message. And it needs to be true to a simple, single-minded idea. Using the example of Apple, Lee observes: “There isn’t a single thing Apple does that isn’t a message that confirms or reinforces how you feel about the company. I often tell people that the best ad we ever did was the Apple Store. We do great TV commercials, we do wonderful billboards, but you walk into an Apple store and you’re now immersed in a brand that’s going to change your life.”

“If you buy a product, even the process of opening it becomes a brand experience,” Lee emphasizes.
“Think about any brand that you like; any brand that you spend time with; any brand you go online and check out. It’s usually a brand that has touched you from a number of different points. Because it’s true to its character, you like and admire it. You actually want to go online and find out what’s going on, or if you drive by a billboard it reinforces how you feel about the brand.

“Successful brands are not cold: they have a soul, a character. But thanks to the power granted to consumers by the internet, brands that betray their characters risk getting slapped around”, says Lee.

“The reality of the new media world is that if your brand does not have a belief, if it does not have a soul and does not correctly architect its messages everywhere it touches consumers, it can become irrelevant. It can be ignored, or even become a focal point for online contempt. This insight lies behind the expression Media Arts. You are studying the science of how to bring brands to market. But I think you’d better keep your intuition, your instinct, and your emotional compass intact. Because the emotional centre, the belief of a brand, has to inform its behaviour, and this can’t all be done with the left side of the brain.”

“Ultimately”, concludes Lee, “You’re going out into the media world and creating something that I call art, it happens to be the art of communication. It’s storytelling.

“Great brands have a story, our job is to tell them.”

Share

We have to do the things we think we can`t do

October 6, 2010

This provocative statement will kick off TBWA’s annual Creative Academy at the 2010 Golden Drum Festival. This year the stage will be shared by TBWA Creative at Large Europe Stefan Schmidt and Brand Director Europe Ulrich Proeschel.

First, Ulrich will introduce a series of historic convention-crushing TBWA campaigns for clients like Apple, Adidas and Absolut. They truly proved “Impossible is Nothing.” Then Stefan will talk about three new campaigns that have shifted standards of communication for Pepsi, McDonald’s and Gatorade.

After 23 years on the Super Bowl, Pepsi asked their audience what they realy care about and started an amazing campaign to refresh the world. McDonald’s proved with their 2010 FIFA World Cup campaign that print and out-of-home can be highly interactive and can suitable to comment on the development of the tournament. And finally there is Gatorade, a brand that has managed to become media itself.

At the end of this entertaining talk, you’ll understand why the job we all do is no longer called advertising.

Grand Hotel Bernardine, Kodak Hall, Oct. 8, 2010, 11h30.

Share

How to make PR believable

October 5, 2010

Golden Drum PR jury member Ulrich Proeschel, Brand Director Europe of TBWA, reveals his hopes and frustrations concerning the PR category.

“At TBWA, we no longer talk about PR, advertising, or any other standalone form of communication.

We believe in a thing called brand behavior. Brands must understand that with the revolution that’s happening in media right now, particularly in the use of social media, they have to be 100% coherent in the way they speak to consumers.

This applies for everything a brand does – no exception.

The problem: it’s very difficult to behave consistently if you’re not sure what you believe in.

You need a big idea – a belief – to deliver against. Brands that do not believe in something will not be successful. And the people who work on their behalf will not be able to produce successful messages.

To me, PR ideas that deliver only the conventional wisdom and do not reflect a deeply held brand belief are not interesting – even if the results are there. The Golden Drum festival exists to celebrate creativity, not conventional solutions.

I am looking for PR campaigns that have a clear brand belief behind them.

I also think that the definition of PR has to be clarified. PR is about earned media, not bought media. I want to see how brands and their PR companies entertain and surprise, convince journalists to share a message, without spending a penny on media. PR must create value.

For any comments or suggestions, send an email to Ulrich Proeschel.

Share
Categories : Smart People